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Natasha Marshall
Home
Shop Fabrics
Blog
Projects
Artwork
Contact
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Home
Shop Fabrics
Blog
Projects
Artwork
Contact
It feels like everything is nearly ready to launch!
Natasha Marshall 18/08/2026 Natasha Marshall 18/08/2026

It feels like everything is nearly ready to launch!

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From Sketchbook to Fabric:
Natasha Marshall 05/08/2026 Natasha Marshall 05/08/2026

From Sketchbook to Fabric:

From Sketchbook to Fabric:

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British Seasons: Making a Textile Collection
Natasha Marshall 08/04/2026 Natasha Marshall 08/04/2026

British Seasons: Making a Textile Collection

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London in blossom is magical.
Natasha Marshall 31/03/2026 Natasha Marshall 31/03/2026

London in blossom is magical.

Moments of Spring, captured in Bloom.

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Living Small: What This Space Has Taught Me
Natasha Marshall 18/03/2026 Natasha Marshall 18/03/2026

Living Small: What This Space Has Taught Me

A reflection on designing a studio flat — and how living with less can bring more clarity, calm, and intention to everyday life.

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British Seasons: Making a Textile Collection Week 5 — Colour & Seasons
Natasha Marshall 12/03/2026 Natasha Marshall 12/03/2026

British Seasons: Making a Textile Collection Week 5 — Colour & Seasons

Post 5: Working with Colour. Colour has always been my favourite part of being a textile designer.

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Room Five: The Living Zone — Creating a Living Room in a Studio Flat
Natasha Marshall 05/03/2026 Natasha Marshall 05/03/2026

Room Five: The Living Zone — Creating a Living Room in a Studio Flat

In a studio flat, the living room doesn’t exist permanently.
It appears each morning.

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Making a Textile Collection. Week 4 — From Drawing to Design
Natasha Marshall 04/03/2026 Natasha Marshall 04/03/2026

Making a Textile Collection. Week 4 — From Drawing to Design

Every design in British Seasons begins in my sketchbook — but it doesn’t stay there for long.

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British Seasons: How My Daily Sketchbook Became a Fabric Collection
Natasha Marshall 26/02/2026 Natasha Marshall 26/02/2026

British Seasons: How My Daily Sketchbook Became a Fabric Collection

How 750 mornings of drawing became the foundation for my new interior textile collection.

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